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An old man guards buried treasure on a Ukrainian hill while a thousand years of history pass over it: Varangians, Cossack rebels, the World War, and two grandsons on opposite sides of the revolution. The film does not move in order and does not explain itself.
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Dovzhenko arrives and ignores the debate. The cutting follows a dream's logic, not a thesis. Eisenstein admired it and could not have made it.
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