
Soviet MontageFilm 11 of 20
Октябрь
The months between the two revolutions of 1917, restaged in the real Winter Palace. Eisenstein is making arguments now, not scenes: Kerensky climbs the same staircase again and again while titles promote him, a mechanical peacock preens, and statues of gods from every religion are cut together until the word means nothing. The moment to watch is the drawbridge. As it rises, a dead woman's hair slides over the gap and a dead horse hangs from the edge, and he holds it until it drops into the river.
Theory outrunning the audience. Trotsky was cut out after it was made, which is montage of another kind.