Kino-polis
HomeBrowseCollectionsReading RoomAbout
Kino-polis

A personal screening room for early cinema

© 2026 Kino-polis

Earth

Земля

1930·79 min·SU
Director: Oleksandr Dovzhenko
Drama
Soviet Montage

Alexander Dovzhenko's lyrical masterpiece — widely considered his greatest film and one of the supreme achievements of Soviet cinema. Set in a Ukrainian village during collectivization, the film tells the simple story of a young man's death and its aftermath, but Dovzhenko transforms it into a pantheistic hymn to the earth itself: sunflowers heavy with seed, apples ripening in moonlight, a young woman's naked grief, and the eternal cycle of birth, death, and renewal that connects the people to their land. The film was attacked by Soviet authorities for its insufficient political commitment and by Ukrainian nationalists for its treatment of collectivization, yet it endures precisely because it transcends politics entirely. A work of breathtaking visual beauty and profound, almost mystical feeling for the natural world.

Alexander Dovzhenko's lyrical masterpiece — widely considered his greatest film and one of the supreme achievements of Soviet cinema. Set in a Ukrainian village during collectivization, the film tells the simple story of a young man's death and its aftermath, but Dovzhenko transforms it into a pantheistic hymn to the earth itself: sunflowers heavy with seed, apples ripening in moonlight, a young woman's naked grief, and the eternal cycle of birth, death, and renewal that connects the people to their land. The film was attacked by Soviet authorities for its insufficient political commitment and by Ukrainian nationalists for its treatment of collectivization, yet it endures precisely because it transcends politics entirely. A work of breathtaking visual beauty and profound, almost mystical feeling for the natural world.

Watch

Explore Further

Earth (Alexander Dovzhenko, 1930) – The Films in My Life — On Criterion

Analysis of this controversial film's poetic approach to collectivization and Soviet modernization.

Article
Earth
Article
Cinema as Portraiture: Dovzhenko’s Earth – Establishing Shot (IU)

Jack Miller argues that Dovzhenko’s Earth represents a radically non-narrative alternative to Eisenstein’s dialectical montage, treating its agrarian subjects and the natural world as monumental, painterly presences rather than characters in a story.

Article

Where to Watch

Streaming data by JustWatch

Cast

Stepan Shkurat

Stepan Shkurat

Opanas

Semen Svashenko

Semen Svashenko

Vasyl

Yuliya Solntseva

Yuliya Solntseva

Vasyl's sister

Olena Maksymova

Olena Maksymova

Natalia, Vasyl's bride

Vasyl Krasenko

Vasyl Krasenko

Petro

Mykola Nademskyi

Mykola Nademskyi

grandfather Semen

I

Ivan Franko

Arkhyp Bilokin

P

Petro Masokha

Khoma Bilokin

V

Volodymyr Mikhajlov

priest

P

Pavlo Petryk

Communist Party cell leader

U

Umanets

village headman

Luka Liashenko

Luka Liashenko

young kulak

Y

Ye. Bondina

peasant girl

O

O. Bondina

peasant girl

M

M. Matsiutsia

peasant girl

Crew

Oleksandr Dovzhenko

writer

Danylo Demutsky

cinematographer

More Like This

Zvenyhora

Zvenyhora

1928
Bukovyna, Ukrainian Land

Bukovyna, Ukrainian Land

1939
Ivan

Ivan

1932
Arsenal

Arsenal

1929
Juno and the Paycock

Juno and the Paycock

1930
The Late Mathias Pascal

The Late Mathias Pascal

1925
The Scar of Shame

The Scar of Shame

1929
Pandora's Box

Pandora's Box

1929
Asphalt

Asphalt

1929
Sinners in Paradise

Sinners in Paradise

1938
Male and Female

Male and Female

1919
Beggars of Life

Beggars of Life

1928