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A personal screening room for early cinema

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From: Silent 101

The Passion of Joan of Arc

1928 · Directed by Carl Theodor Dreyer

Carl Theodor Dreyer's film is built almost entirely from close-ups of a single human face — and it is devastating. Maria Falconetti, in the only screen performance of her career, plays Joan of Arc during her trial and execution, and her face becomes a landscape of suffering, defiance, doubt, and transcendent faith more expressive than any panoramic battle scene. Dreyer stripped away historical pageantry, shooting on stark white sets with no makeup, forcing the viewer into an intimacy with Joan's agony that remains almost unbearable. The film was a commercial disaster on release, and the original negative was destroyed in a fire — the version we watch today was miraculously recovered in 1981 from a Norwegian mental institution. Widely regarded as one of the greatest films ever made, and an experience that words can only approximate.

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From: Spotlight: Lillian Gish

The Birth of a Nation

1915 · Directed by D.W. Griffith

Two families, abolitionist Northerners the Stonemans and Southern landowners the Camerons, intertwine. When Confederate colonel Ben Cameron is captured in battle, nurse Elsie Stoneman petitions for his pardon. In Reconstruction-era South Carolina, Cameron founds the Ku Klux Klan, battling Elsie's congressman father and his African-American protégé, Silas Lynch.

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From: French Avant-Garde

Entr'acte

1924 · Directed by René Clair

René Clair's gleefully anarchic Dadaist short — originally screened during the intermission of a Francis Picabia ballet, and designed to provoke, confuse, and delight in equal measure. A chess game on a Parisian rooftop, a funeral procession where the hearse is pulled by a camel, a ballerina filmed from below who turns out to be a bearded man, a rollercoaster ride that accelerates into pure abstraction — Clair and Picabia throw images at the screen with the mischievous abandon of children smashing toys. Erik Satie's hypnotic score, composed to accompany the film, is inseparable from its effect. Cameos by Marcel Duchamp, Man Ray, and Picabia himself anchor the film in the Dada movement's gleeful demolition of bourgeois taste. Twenty-two minutes of pure cinematic anarchy, and still one of the most entertaining avant-garde films ever made.

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Film of the Day

Released 129 years ago today

The Haverstraw Tunnel

1897

A train travels along the tracks of the West Shore Railroad in Rockland County, New York. It goes through the Haverstraw Tunnel and out the other side.

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Collections

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Silent 101

The silent era spans roughly three decades — from the Lumière brothers' first public screening in 1895 to the arrival of synchronized sound in the late 1920s — and contains some of the most inventive, visually stunning, and emotionally powerful filmmaking ever produced. These twenty films offer an introduction to the period's essential works and movements: the trick films that first revealed cinema's capacity for magic, the rise of narrative storytelling, the explosive creativity of German Expressionism and Soviet montage, the golden age of screen comedy, and the artistic peaks that still define what the medium can achieve. If you're new to silent film, start anywhere — every one of these will change your understanding of what early cinema was.

20 films

A Trip to the Moon
The Great Train Robbery
Broken Blossoms
The Cabinet of Dr. Caligari

Lon Chaney: The Man of a Thousand Faces

Lon Chaney could make you believe he was anyone. A legless crime lord. A vengeful paralytic. A tormented circus clown. A disfigured phantom haunting the Paris Opera. He designed his own makeup, often enduring considerable physical pain to achieve his transformations, and he brought to every role a depth of feeling that elevated genre material into something genuinely moving. Between 1919 and 1930, he was the biggest star in horror cinema and one of the biggest stars in Hollywood, period. He died of throat cancer at forty-seven, just as the sound era was beginning, and the loss is still felt. What made Chaney extraordinary was not the makeup alone but what he did underneath it. His characters are almost always outcasts: men deformed by accident or birth, criminals shaped by cruelty, performers hiding behind disguises. In lesser hands these roles would be freak-show spectacle. Chaney found the humanity in them. His Quasimodo is heartbreaking. His Phantom is tragic. Even his most monstrous creations carry a loneliness that makes the audience complicit in their suffering. He understood that the most effective horror comes not from revulsion but from recognition. This collection traces Chaney's career from his first collaboration with Tod Browning through the iconic roles that made him a legend. Five of the thirteen films were directed by Browning, whose fascination with the grotesque and the marginal made him Chaney's ideal creative partner. The others showcase the range of directors who recognized what Chaney could bring to their work, from Victor Sjöström's European gravity to the grand spectacle of Universal's horror productions. Together, they constitute the most remarkable body of screen performance in the silent era.

14 films

The Wicked Darling
The Penalty
Outside the Law
The Ace of Hearts

American Comedy

Silent comedy was the first universal language. Before Hollywood figured out how to make dramas that crossed borders, it discovered that a man falling down was funny in every country on earth, and that the best comedians could make that fall mean something. Between roughly 1914 and 1931, American screen comedy evolved from the anarchic chaos of the Keystone Cops to the most sophisticated physical storytelling the medium has ever produced, generating four undeniable geniuses (Chaplin, Keaton, Lloyd, Langdon), the greatest comedy team in history (Laurel and Hardy), and a body of work whose formal invention rivals anything the avant-garde was doing in Europe. The differences between the major comedians are as important as the similarities. Chaplin fused comedy with pathos until the two became inseparable, creating a figure (the Tramp) who could break your heart with a dinner roll. Keaton engineered gags with the precision of a mathematician and performed them with a stoicism that made the impossible look inevitable. Lloyd played the anxious, striving everyman whose comedy came from recognition rather than wonder. Langdon moved through the world with a slow, dreamy innocence that made even Chaplin nervous. And Laurel and Hardy perfected the art of reciprocal destruction, building elaborate catastrophes from the simplest possible materials: a hat, a piano, a Christmas tree. This collection traces the full arc, from Chaplin's earliest experiments with the Tramp through the towering features of the mid-twenties to City Lights in 1931, which Chaplin released as a silent film into a world that had already moved on to sound. He was right to do it. The film is perfect.

18 films

The Immigrant
The Rough House
One Week
The Kid

Spotlight: Charlie Chaplin

No figure in cinema's first half-century was as universally recognized, or as singularly burdened with the medium's ambitions, as the Tramp. Charlie Chaplin arrived at Keystone in 1914 a music-hall comedian and within four years was the most famous person on Earth. What he built across the silent era was something stranger than slapstick: a portable mythology in a bowler hat, a body that could shift from buffoonery to balletic grace inside a single frame, and a moral seriousness that crept into the comedy until the comedy could carry it. This collection traces the arc from the Keystone shorts that introduced the costume, through the Mutual and First National pictures where the Tramp acquired his soul, to the late masterpieces that staked everything on silence after the rest of cinema had moved on. By the time City Lights ended, Chaplin had spent seventeen years arguing for a kind of cinema the talkies were already burying. He won that argument in retrospect, the way he won most things: by outlasting them.

15 films

Kid Auto Races at Venice
Tillie's Punctured Romance
The Tramp
Easy Street

Recently Added

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The Blood Ship

The Blood Ship

1927
George B. Seitz
Where East Is East

Where East Is East

1929
Tod Browning
The Captive

The Captive

1915
Cecil B. DeMille
The Noon Whistle

The Noon Whistle

1923
George Jeske
Return to Reason

Return to Reason

1923
Man Ray
The Mysteries of the Chateau of Dice

The Mysteries of the Chateau of Dice

1929
Man Ray, Jacques-André Boiffard
Limite

Limite

1931
Mário Peixoto
East Side, West Side

East Side, West Side

1927
Allan Dwan
Hell's Heroes

Hell's Heroes

1929
William Wyler
Chicago

Chicago

1927
Frank Urson
A Story of Floating Weeds

A Story of Floating Weeds

1934
Yasujirō Ozu
The Trail of '98

The Trail of '98

1928
Clarence Brown

Pioneers of Cinema

Charlie Chaplin

Charlie Chaplin

1889–1977

Buster Keaton

Buster Keaton

1895–1966

Alice Guy-Blaché

Alice Guy-Blaché

1873–1968

Oscar Micheaux

Oscar Micheaux

1884–1951

Harold Lloyd

Harold Lloyd

1893–1971

Louise Brooks

Louise Brooks

1906–1985

Fritz Lang

Fritz Lang

1890–1976

Clara Bow

Clara Bow

1905–1965

F. W. Murnau

F. W. Murnau

1888–1931

Georges Méliès

Georges Méliès

1861–1938

D.W. Griffith

D.W. Griffith

1875–1948

Sergei Eisenstein

Sergei Eisenstein

1898–1948

Carl Theodor Dreyer

Carl Theodor Dreyer

1889–1968

Robert Wiene

Robert Wiene

1873–1938

Alfred Hitchcock

Alfred Hitchcock

1899–1980

Lon Chaney

Lon Chaney

1883–1930

Lillian Gish

Lillian Gish

1893–1993

Conrad Veidt

Conrad Veidt

1893–1943

Erich von Stroheim

Erich von Stroheim

1885–1957

Douglas Fairbanks

Douglas Fairbanks

1883–1939

Mary Pickford

Mary Pickford

1892–1979

Films Like “The Blood Ship”

Danger Lights

Danger Lights

1931
Juno and the Paycock

Juno and the Paycock

1930
The Late Mathias Pascal

The Late Mathias Pascal

1925
The Scar of Shame

The Scar of Shame

1929
Pandora's Box

Pandora's Box

1929
Asphalt

Asphalt

1929
Sinners in Paradise

Sinners in Paradise

1938
Male and Female

Male and Female

1919
Beggars of Life

Beggars of Life

1928
The Dawn Patrol

The Dawn Patrol

1930
Born Reckless

Born Reckless

1930
Dixiana

Dixiana

1930

Action

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The Three Must-Get-Theres

The Three Must-Get-Theres

1922
Zorro Rides Again

Zorro Rides Again

1937
Serpent

Serpent

1925
Tell It to the Marines

Tell It to the Marines

1926
By the Law

By the Law

1926
The Montana Kid

The Montana Kid

1931
The Trail of '98

The Trail of '98

1928
Life of an American Fireman

Life of an American Fireman

1903
Men Without Women

Men Without Women

1930
20,000 Leagues Under the Sea

20,000 Leagues Under the Sea

1916
The Dawn Patrol

The Dawn Patrol

1930
Easy Street

Easy Street

1917

Adventure

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Die Nibelungen: Kriemhild's Revenge

Die Nibelungen: Kriemhild's Revenge

1924
Chang: A Drama of the Wilderness

Chang: A Drama of the Wilderness

1927
Zorro Rides Again

Zorro Rides Again

1937
Ivanhoe

Ivanhoe

1913
Sumurun

Sumurun

1920
Ben-Hur: A Tale of the Christ

Ben-Hur: A Tale of the Christ

1925
Peter Pan

Peter Pan

1924
The Holy Mountain

The Holy Mountain

1926
The Magic Cloak of Oz

The Magic Cloak of Oz

1914
Robin Hood

Robin Hood

1922
East of Borneo

East of Borneo

1931
The Cave of the Silken Web

The Cave of the Silken Web

1927

Animation

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The New Gulliver

The New Gulliver

1935
The Enchanted Drawing

The Enchanted Drawing

1900
The Sinking of the Lusitania

The Sinking of the Lusitania

1918
Fantasmagorie

Fantasmagorie

1908
The Haunted Hotel

The Haunted Hotel

1907
Interplanetary Revolution

Interplanetary Revolution

1924
How a Mosquito Operates

How a Mosquito Operates

1912
Out of the Inkwell

Out of the Inkwell

1919
And the Villain Still Pursued Her; or, the Author's Dream

And the Villain Still Pursued Her; or, the Author's Dream

1906
Black and White

Black and White

1932
Victorious Destination

Victorious Destination

1939
The Adventures of Baron Munchausen

The Adventures of Baron Munchausen

1929

All Films

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13 Washington Square

13 Washington Square

1928
Melville W. Brown
20,000 Leagues Under the Sea

20,000 Leagues Under the Sea

1916
Stuart Paton
7th Heaven

7th Heaven

1927
Frank Borzage
A Christmas Carol

A Christmas Carol

1910
J. Searle Dawley, Ashley Miller, Charles Kent
A Corner in Wheat

A Corner in Wheat

1909
D.W. Griffith
A Cottage on Dartmoor

A Cottage on Dartmoor

1929
Anthony Asquith
A Daughter of Brahma

A Daughter of Brahma

1919
August Blom
A Daughter Of Destiny

A Daughter Of Destiny

1928
Henrik Galeen
A Dog's Life

A Dog's Life

1918
Charlie Chaplin
A Farewell to Arms

A Farewell to Arms

1932
Frank Borzage
A Film Johnnie

A Film Johnnie

1914
George Nichols
A Flirt's Mistake

A Flirt's Mistake

1914
George Nichols