
Women Pioneers of Silent CinemaFilm 17 of 22
Бабы рязанские
Olga Preobrazhenskaya, 1927, shot in a Ryazan village: two women, Anna and Vasilisa, under the same patriarchal roof, one broken by it, one walking out. War, a rape, a child, a Revolution that rearranges the furniture but not the grief. Co-directed with Ivan Pravov. It is the Soviet silent that treats the peasant household as a political unit, and Preobrazhenskaya as one of the few women who got to say so from behind the camera.
Women Pioneers of Silent Cinema
Olga Preobrazhenskaya directed this Sovkino feature with Ivan Pravov, on location in a Ryazan village, which is a woman holding the chair on a state production and taking it outdoors. Two women share one patriarchal roof: one broken by it, one walking out. She was one of the few women directing features in the Soviet 1920s, and she uses that authority on the peasant household as a political unit. Scenario by Olga Vishnevskaya and Boris Altshuler, with Konstantin Kuznetsov on camera; war, a rape, a child, and a Revolution that changes the slogans more than the grief.