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A gang called the Blinking Buzzards runs a shooting gallery and orders a hit, and Keaton, who has been hired to do it, protects the man instead by wiring his house with trapdoors. The set is a machine and the last reel runs it. He shot it in 1920 and held it back until after One Week because he thought it was too much like Arbuckle. With Eddie Cline, released 1921.